Wednesday, February 20, 2019
Album Review: Cochemea - All My Relations
I really can't say that I've regretted checking out Cochemea Gastelum’s latest album, All of My Relations. Cochemea (whose name means “they were all killed asleep”) is a respected saxophonist and songwriter out of Brooklyn, NYC who performs avant-garde jazz with heavy African and indigenous influences, drawing specifically from his Yaqui and Mescalero Apache heritage (the former tribe are native to Mexico while the latter was settled in present-day New Mexico (formerly, just Mexico)). While he is best known for his work with the Sharon Jones and the Dap-Kings, he also performs with one of my favorite afrobeat bands, Antibalas. When Cochemea enters the stage his presence has a jittery magmatism to it, and not to get swept up in the enthusiasm he has for performing. All of My Relations is breezy, with a playful sense of curiosity that explores the intersection of roots music, indigenous-informed jazz, and afrobeat in an accessible and enlightening way. I’m really feeling the soulful hum of “Maso Yeeme,” the swagger and shuffle of “Mitote,” the smooth funky glide of “Seyewailo,” and the meditative “Song of Happiness.” You don’t have to tune into Cochemea’s frequency, but if you make the effort to properly collaborate your dial, you’ll be glad you did.
Tuesday, February 19, 2019
Interview: King Tuff
King Tuff @ Lincoln Hall by me |
My interview with King Tuff is up at CHIRP Radio! It was a great conversation where we discussed the band's new album, encounters with beings from another world, and a suggested favor of ice cream for Ben & Jerry's to test drive. I'm very happy with the way this one turned out.
Thursday, February 14, 2019
Interview: Smashed Plastic
I took this photo |
As luck would have it, I was able to snag a quick interview with two of the founders of Chicago's newest (and only) vinyl pressing plant following their grand opening earlier in the month at Gallery 400. The full transcript of my conversation with Matt Bradford and Steve Polutnik can be found over at Chicago Crowd Surfer. Smash the link here!
Album Review: Da Staat - Bubble Gum
Just checked out the sixth LP from Dutch alternative rock and psychedelic dance group, De Staat. Bubble Gum is an album that falls under the long shadow of the band’s smash hit “Witch Doctor” off 2016’s O. That song’s obsession with big meaty beats, polyrhythms, and Fincher-esque voyeuristic storytelling informs the entirety of their latest album, from the Soul Coughing infused, velvet sheathed malic of “Kitty Kitty,” to the trippy middle-eastern flavored glide of “Fake it Till You Make It,” to the skronky post-rock implosion “Mona Lisa,” the pulse of these hits lands without warning, and if you aren’t moving, you’re liable to be laid out on the dance floor. If you’re looking for a scornfully good dance party to help break up the milieu of your day, look no further. Check out the video for “Mona Lisa” to ride its cold, sauntering groove.
Thursday, February 7, 2019
Show Review: Smashed Plastic Records Opening w/ Serengeti, Diagonal, The Lawrence Peters Outfit & Bleach Party @ Workshop 400, February 2, 2019
Serengeti (Photo by me) |
Album Review: Swallow the Sun - When the Shadow is Forced into the Light
A thing of beauty born in the wake of tragedy. If you need some hard feeling heavy metal in your life today, click here for my review of Swallow the Sun's new LP When the Shadow is Forced into the Light, now up over at Chicago Crowd Surfer. Be sure to hug one of your loved ones today or let a friend know how much you care about them. You never know when it will be the last time you see them.
Album Review: Boy Harsher - Careful
Have some harsh words for a boy in your life? Need to dance it out? Have I got an album for you! Click here to read my review of the new Boy Harsher album Careful over at Chicago Crowd Surfer. I listen to every album I review around 6 or 7 times, but this one easily lapsed into the double digits when it came to sheer number of spins. Total endorsement!
Album Review: DAWN - new breed
Today I am just about to lose my head over the latest LP from former Danity Kane idol, Dawn Richard, fka D∆WN, currently DAWN. On new breed, DAWN performs electro and R’nB derived pop inspired by her home town of NOLA and her black Indian roots. The aesthetic choices here lean heavily on the glossy side of southern rap production and the damp, shadowy edge of synth-pop. It’s a bunch of odd bedfellows that somehow all manage to have good, clean, kinky fun together. I’m feeling the 90’s flavored title track with its Grace Jones sample, the swaddling flow of “spaces,” the funk-wave of “dreams and converse,” the entertainment industry skewering “vultures | wolves” and the piano-driven “we, diamonds.” Give this a spin next time you need something to sing into a hairbrush in front of the mirror to.
Grab a copy of new breed here.
Tuesday, February 5, 2019
Album Review: Deathchant - Deathchant
Snag a copy of Deathchant's LP from their Bandcamp page here.