Wednesday, February 20, 2019

Album Review: Cochemea - All My Relations


I really can't say that I've regretted checking out Cochemea Gastelum’s latest album, All of My Relations. Cochemea (whose name means “they were all killed asleep”) is a respected saxophonist and songwriter out of Brooklyn, NYC who performs avant-garde jazz with heavy African and indigenous influences, drawing specifically from his Yaqui and Mescalero Apache heritage (the former tribe are native to Mexico while the latter was settled in present-day New Mexico (formerly, just Mexico)). While he is best known for his work with the Sharon Jones and the Dap-Kings, he also performs with one of my favorite afrobeat bands, Antibalas. When Cochemea enters the stage his presence has a jittery magmatism to it, and not to get swept up in the enthusiasm he has for performing. All of My Relations is breezy, with a playful sense of curiosity that explores the intersection of roots music, indigenous-informed jazz, and afrobeat in an accessible and enlightening way. I’m really feeling the soulful hum of “Maso Yeeme,” the swagger and shuffle of “Mitote,” the smooth funky glide of “Seyewailo,” and the meditative “Song of Happiness.” You don’t have to tune into Cochemea’s frequency, but if you make the effort to properly collaborate your dial, you’ll be glad you did.

Tuesday, February 19, 2019

Interview: King Tuff


King Tuff @ Lincoln Hall by me

My interview with King Tuff is up at CHIRP Radio! It was a great conversation where we discussed the band's new album, encounters with beings from another world, and a suggested favor of ice cream for Ben & Jerry's to test drive. I'm very happy with the way this one turned out. 

Thursday, February 14, 2019

Interview: Smashed Plastic

I took this photo

As luck would have it, I was able to snag a quick interview with two of the founders of Chicago's newest (and only) vinyl pressing plant following their grand opening earlier in the month at Gallery 400. The full transcript of my conversation with Matt Bradford and Steve Polutnik can be found over at Chicago Crowd Surfer. Smash the link here!

Album Review: Da Staat - Bubble Gum


Just checked out the sixth LP from Dutch alternative rock and psychedelic dance group, De Staat. Bubble Gum is an album that falls under the long shadow of the band’s smash hit “Witch Doctor” off 2016’s O. That song’s obsession with big meaty beats, polyrhythms, and Fincher-esque voyeuristic storytelling informs the entirety of their latest album, from the Soul Coughing infused, velvet sheathed malic of “Kitty Kitty,” to the trippy middle-eastern flavored glide of “Fake it Till You Make It,” to the skronky post-rock implosion “Mona Lisa,” the pulse of these hits lands without warning, and if you aren’t moving, you’re liable to be laid out on the dance floor. If you’re looking for a scornfully good dance party to help break up the milieu of your day, look no further. Check out the video for “Mona Lisa” to ride its cold, sauntering groove.

Thursday, February 7, 2019

Show Review: Smashed Plastic Records Opening w/ Serengeti, Diagonal, The Lawrence Peters Outfit & Bleach Party @ Workshop 400, February 2, 2019

Serengeti (Photo by me)
I stopped out to deliver my well wishes to Chicago's newest small batch vinyl printing press moguls, Smashed Plastic last Saturday and now I come to you with a full recap of the festivities. I'm honestly surprised at what I can remember given all the commotion and free libations. If you want to read my best recollections of the event, click through to Chicago Crowd Surfer. The highlight for me was Serengeti who you can see in the mediocre shot from my cell phone above. Everyone had such a good time at this thing, SP is basically obligated to throw another in 2020.

Album Review: Swallow the Sun - When the Shadow is Forced into the Light


A thing of beauty born in the wake of tragedy. If you need some hard feeling heavy metal in your life today, click here for my review of  Swallow the Sun's new LP When the Shadow is Forced into the Light, now up over at Chicago Crowd Surfer. Be sure to hug one of your loved ones today or let a friend know how much you care about them. You never know when it will be the last time you see them.

Album Review: Boy Harsher - Careful


Have some harsh words for a boy in your life? Need to dance it out? Have I got an album for you! Click here to read my review of the new Boy Harsher album Careful over at Chicago Crowd Surfer. I listen to every album I review around 6 or 7 times, but this one easily lapsed into the double digits when it came to sheer number of spins. Total endorsement!

Album Review: DAWN - new breed


Today I am just about to lose my head over the latest LP from former Danity Kane idol, Dawn Richard, fka D∆WN, currently DAWN. On new breed, DAWN performs electro and R’nB derived pop inspired by her home town of NOLA and her black Indian roots. The aesthetic choices here lean heavily on the glossy side of southern rap production and the damp, shadowy edge of synth-pop. It’s a bunch of odd bedfellows that somehow all manage to have good, clean, kinky fun together. I’m feeling the 90’s flavored title track with its Grace Jones sample, the swaddling flow of “spaces,” the funk-wave of “dreams and converse,” the entertainment industry skewering “vultures | wolves” and the piano-driven “we, diamonds.” Give this a spin next time you need something to sing into a hairbrush in front of the mirror to.

Grab a copy of new breed here

Tuesday, February 5, 2019

Album Review: Deathchant - Deathchant


At the moment I'm staring down the void with the help of the new self-titled debut from LA stoner rock leviathan, Deathchant. The group’s sound clings closely to the synapse annihilating fuzz-bombs of their forebears Fu Manchu while indulging in ranging song structures that would make Sleep nod approvingly. The mind-altering chords they craft often detour into sticky pools of hot psychedelic pitch only to emerge and strike up another locked groove unphased by their transdimensional journey. These transitions are truly awesome to witness. Think Crazy Horse dosed with Uncle Acid fronted by the ghost of Josh Homme. I’m feeling the burning tower of 70’s fuzz-gun powder “Pessimist,” the lilting melodies and star-crushing hooks of “Control,” and the reigning acid rock shower “Hex.” This album is a bad trip that you’ll be glad you went on.

Snag a copy of Deathchant's LP from their Bandcamp page here