Thursday, March 28, 2019
Album Review: Dead Tired - Full Vol.
Weird dark hardcore from George Pettit of Alexonfire in the form of Dead Tired. The new album Full Vol. really rips and you can see my full write up over at Chicago Crowd Surfer. Link below.
Review of Dead Tired's Full Vol.
Alexonfire may be due for a reassessment. In retrospect, they were pretty flappin' good.
Labels:
Album,
Chicago Crowd Surfer,
Hardcore,
Punk
Album Review: Ibibio Sound Machine - Doko Mien
Ibibio Sound Machine geared up this year for another album, Doko Mien. It's a worthy successor to Uyai in my *cough* professional opinion. Check out my review over at Chicago Crowd Surfer. Link below.
Remember to dance like no one is watching... unless someone is, then maybe you should stop.
Labels:
Album,
Chicago Crowd Surfer,
Jazz,
Soul
Album Review: Ex Hex - It's Real
Excited for the new Ex Hex album? I think I lot of us are. I was really swept away by Rips and the bar for this album was set very high in my mind. Did it clear the arbitrary standard of my mind bar? You're going to have to check out my review over at Chicago Crowd Surfer to find out. Link below.
Review of Ex Hex's It's Real
Save your hexes for your exes.
Labels:
Album,
Chicago Crowd Surfer,
Pop,
Rock
Interview: Julia Nash of Wax Trax Records
Julia Nash inexplicably agreed to talk to me. She's a grown-ass woman with a real-ass job but she got up at 7am to talk to me about her Dad and the music he brought to the world. Truly, truly honored to be able to bring this conversation to you today.
“Wax Trax fans are just the most incredible, kind, sweet, loyal, dedicated people, and the outpouring of love and support, they’ve shown me and my family… I just felt like ‘I owe this to you guys, you should see this!’” -Julia Nash
If you want to read more from this humble and incredible woman, the full conversation can be found over at Chicago Crowd Surfer. Link below.
And now I'm waxing nostalgic for my goth phase.
Labels:
Chicago Crowd Surfer,
Interview
Saturday, March 23, 2019
Album Review: Venom Prison - Samsara
Welsh progressive-minded and technical death metal Venom Prison released what may be my favorite album of the year so far this week. It's a merciless ass-kicker that just keeps me coming back for more and more punishment. Check out my review of Samsara over at Chicago Crowd Surfer at the link below.
Review of Venom Prison's Samsara
Respect and solidarity, or GTFO.
Friday, March 22, 2019
Album Review: Chai - Punk
Neo-kawaii makes landfall in the States with the absurdly friendly new album from Chai. Punk is really poppin off and I don't have anything but nice things to say about it. My review is up over at Chicago Crowd Surfer. Get it in your eyeballs before it internet sells out.
Review of Chai's Punk
If you couldn't tell, I like Chai a latte. *rimshot*
Labels:
Album,
Chicago Crowd Surfer,
Pop,
Punk
Thursday, March 21, 2019
Show Review: Oozing Wound Record Release at Empty Bottle, March 16, 2019
Photo Credit: CCS |
Oozing Wound are sick as hell and I've got the scoop on their record release show at the Bottle this week. Click through to Chicago Crowd Surfer to read about the hole they ripped in space-time this past Saturday. Also featured, Hitter! Keep an eye on these sweaty goofy balls, they're my new favorite local band and I can't wait to see what they do next!
Recap of Oozing Wound's Record Release Party
You can't shut what won't close.
Labels:
Chicago Crowd Surfer,
Metal,
Show Recap
Album Review: The Daktaris - Soul Explosion
This week I’ve been listening to and loving the reissue of The Daktaris’ debut album Soul Explosion. Released on Desco Records in 1998, Soul Explosion was essentially a hoax that kicked off the afrobeat renaissance that continues to this day. Presented to label runner Basco Mann as a recently unearthed Nigerian funk album from the 1970s, it was released by the unsuspecting label as a reissue of a buried classic. The ruse ran deep, with each of the band’s members adopting fake names, forging backstories, and even printing “Produced in Nigeria” on the album cover. In reality, the members all hail from Brooklyn and would go on to form other influential afrobeat groups, Antibalas and the Budos Band. The success of Soul Explosion reignited interest in the work of Fela Kuti, a true master of the African funk, soul, and jazz. The command of form and down-right catchiness of Soul Explosion have had the effect of canonizing the album in the minds of world jazz enthusiasts despite its dubious origins. Not bad for an album that includes the song titled “Eltsung Ibal Lasiti,” or “It Is All A Big Hustle” written backward. A more punk rock statement in the realm of world music you will not find.
Saturday, March 16, 2019
Album Review: Helado Negro - This is How You Smile
I wrote a review of the new electro-folk foray from Helado Negro. It's not as good as his past work, but if you dig his style, I think it will put a smile on your face. Check it out here.
Album Review: Warm Human - Ghastly
I've got a review of the wonderful new Warm Human LP up over at Chicago Crowd Surfer. Link here.
Stay warm and human.
Friday, March 8, 2019
Album Review: While She Sleeps - So What?
There is a review of While She Sleeps's new LP over at Chicago Crowd Surfer. You can check it out here if you are so inclined. As far as pop-infused metalcore is concerned, it's no amo, but it's still damn good.
Wednesday, March 6, 2019
Album Review: Mykele Deville - Maintain
Been listening to the new album Maintain by local MC and DIY ombudsman Mykele Deville and I am convinced he is the poet this city needs right now. The actor turned community organizer turned mic maestro is really in a league of his own and it’s cool to see him come into his own on his fourth LP. Deville doesn’t have a sound that fits into any current trends in hip-hop. It lacks the brooding, self-flagellating subject matter of R’nB artists like Weeknd and Drake, and is outside of the prevailing texture and beat fixations of the current trap and drill movements. He doesn’t even fit into the conception of the “Chicago sound,” which may be due to his sideways entrance into the cities music scene through theater. While his beats are inspired by the jazz-rap of De La Soul and Tribe Called Quest (especially on the smooth and smoky sidewalk sashay and gatekeeper rebuke “Free Soul”) he lacks the overly-chill vibe conveyed by either of those groups vocal delivery. The content and cadence of his flow are closer to that of Brother Ali if that grandmaster of conscious rhymes emphasized the percussive qualities of his voice while retaining its buttery, salve-like qualities. Deville’s verbose bars pack a lot of thought into condensed phrases without sacrificing the momentum of the verses, a skill that is masterfully displayed on the leading singles off the album, the ode to self-love “Type Love” and the boom-bap pep-talk “You’re Enough.” It's an album that addresses the anxieties of our time while showing a way forward. It's the perfect album to help you glide over hump day, as well as this dismal period in American history.
Monday, March 4, 2019
Album Review: Black Taffy - Elder Mantis
Labels:
Album,
Electronic
Friday, March 1, 2019
Album Review: Candlemas - The Door To Doom
Candlemass throws open the doors to their ancient chest of eldritch relics and unleashes their most devastating spell since their first. The Door to Doom is an excellent sister salvo to Epicus Doomicus Metallicus and I am here for it. Check out my write up here.
Album Review: R. Stevie Moore - Afterlife
Digging on this new R. Stevie Moore LP. If you are in the mood for some homespun, outsider pop-rock click through to my review here.
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