Wednesday, July 1, 2020

Album Review: Holy Grinder - Divine Extinction




Sometimes all I need is an injection of a savage fucking racket into my ears to help calm your nerves, and if you’re reading this, I bet you feel some kind of way similar. Toronto’s noise-grind heathens Holy Grinder and their new record Divine Extinction is the booster of blast-beats I need today as I contemplate the state of the world. Divine Extinction once again sees the band partnering with Topn Das of Fuck the Facts to unfurl twelve sacrilegious shocks of purling, fizzling grindcore heat, in a meditation on the defeat of fascism and state authority. The band continues to hone their songwriting chops, as evidenced by the slapping double-time pulse of “Heretic” and the steamroller, malice-go-round “Disgusting Trash People.” The two tracks fold into each other to create a feeling of inversion. like the sidewalk under your feet has simply jumped out from underneath you, and you are now plummeting upwards into a raging cyclone of demonic energy. “Vile Hymn” and “Unholy Grinder” take a more death metal approach to their structure with decaying, corpulent grooves and tempo changes that allow you to feel the force and impact of each incoming change up as it broadsides your head. There is even a little bit of Full of Hell’s obsidian wormhole hiss on tracks like “Vile Hymn” and “Mental Terrorist.” Holy Grinder’s Divine Extinction is a slippery work of vital violence that seeks to plug nails through the frock of legitimacy, which authoritarian elements dress their maleficence and sadism in. Ripping these garments down from around their shoulders, it seeks to expose the vampiric flesh beneath, causing the benighted wretch to wither in a cleansing shower of daylight— a necessary purge of anti-human commitments from the halls of power accomplished with a flush of ear-puckering noise.

Grab a copy of Divine Extinction from Jean Scene Creamers, here.