Friday, March 20, 2026

Interview: Cheem

Photo by Abby Clare

Cheem may be the best band in the world. There really isn't even a contest. Hardworking, original, and friendly af, they're the complete package for any DIY devotees/appreciators/aficionados who recall the intoxicating blend of rock, rap, rap-rock, Swedish-penned mega-pop-hits, and hardcore electronic beats that suffused the flavorful yet perplexingly complex and layered braise of popular music in the late '90s and early '00s- all the stuff that ended up getting exiled to the back of the freezer known as MTV2 and later completely off the table and onto compost heap of MySpace after 2005. Their sound harkens back to a time when there was greater permeability between the underground and what we could deem the mainstream, and in modernizing this sonic mesh of synecdoches and loose ends into a coherent vision that is recognizable and embraced by contemporary fans of underground music, they fill a niche in today's scene that nobody else can. Hopefully, the love they inspire will lift the group to the heights of fame and success that the inspiration and ambition of their sound prophesies as practically inevitable. And if you weren't there when Incubus, Linkin Park, Savage Garden, and the like were churning out singles and iconic, high-concept, top-tier videos, then Cheem can serve as the elder sibling you never had, introducing you to the sounds and styles of decades past and priming you to embrace the next big thing as it comes around the bend- which, in this case, just so happens to be Cheem themselves, and their latest LP, Power Move. Power Move is a follow-up to their breakout LP Guilty Pleasure, a tour de force covered positively on this very blog (and other publications of lesser cultural impact as well), whose momentum is retained and magnified on this latest release. From the vibrant, scratch-textured, and concussive internal tug-of-war of opener "Pivot," to the bust-out and build-up-the-break-down, skate-groove slap of "Gorrilla Glue," to the vaporwave-infused, Caribbean-spiced splash of "Quench," there is nary a dull moment or an inspired idea that goes unrealized on Power Move. Even though the band is currently on tour, vocalist/guitarist/scratch master Skye Holden still found time to parse some interrogatories that I slid his way, and you can read his responses below.

 

Let's set the stage- what does the journey from Guilty Pleasure to Power Move look like? 


We were working on Power Move since before Guilty Pleasure even dropped, the first full band recordings of songs like "Quench" and "Octane" were done in 2021 and a few elements from those sessions did end up making it into the final album.  Aside from that, we tried to stay consistent while working on such a big project behind the scenes so we dropped two EPs, Fast Fashion and Faster Fashion.  We were not expecting them to get so much traction but thanks to that we ended up being in a really good spot to drop a record after a stint of social media success in early 2025.  We kinda expedited the record release for that reason and went in on finishing it.

Why was Power Move selected as the title for your latest release?

The original record was 18 tracks, and that's the version that is being released as Power Move: Victory Lap.  Dropping a statement like that is a power move, in our opinion.  Especially with the range we were trying to showcase across all the songs.

"Pivot" is such an amazing way to start out this album. What is the story behind it? 

"Pivot" was the last song written for the album, it almost didn't make it in time but it was so good I pushed for it to make the tracklist.  It's a song about a relationship becoming one-sided, where one party is trying hard to be communicative and make things work and the other seemingly can't be bothered and is either fine with the dysfunction or just looking for an exit.

Tell me about the features on this Power Move? Why did you choose these artists as creative partners? What is the story?

For the most part they were just artists we crossed paths with playing live who we ended up becoming friends with, it was all very organic.  The only one we haven't met in person is Brazil-based MC Taya, we came across each other via a Twitter account called "crazy ass moments in nu metal history."  We just had a mutual appreciation for each other's work and we knew after hearing her style that we wanted to get her on a heavy song.

Pitchfork gave Guilty Pleasure a rating of 6.9. What rating would you give Pitchfork?

4.20

Objectively, what rating would you give Power Move on a scale of 1-10 and why?

10, it's by far our best work and we're making exactly the kind of music we want to hear.  And if you're not gonna ride for yourself then nobody is.

What is Power Move: Victory Lap and what can people expect from this DLC pack? 

Power Move: Victory Lap is the actual album we wanted to drop.  It's the director's cut.  People can expect even more sides of Cheem that weren't showcased on the initial release and smoother transitions between songs because of the adherence to the original track order.

Not that you were lacking it on earlier albums, but you do sound more confident and comfortable in your skin on this record. Can you tell me how being in a band for as long as you all have contributed to your sense of self as performers and to the kind of music you can make?

The longer you do it the less you care about what other people think and more about how satisfied you feel with the end product that you're working on.  The music becomes less about what you think will do well and more about a sound you wish existed and want to bring into the world.  We also think more about what's gonna be more fun to play live since our live show is such a huge part of what we do.  I think this album has a good mix of experimental studio-oriented tracks and live bangers.  We think it's important to do both because we want to explore every corner of the Cheem sound.


 
I'm loving how deep and rich a lot of the tracks on Power Move are sounding, can you tell me a little about the production choices that went into this release?

There was definitely a conscious decision to make the quieter sections more atmospheric.  There's all kinds of samples and noises buried in the mix here and there that just add a little to the overall feel.  We also included a couple of interlude-esque outros on songs to help bridge the gap between tracks.  I would say the biggest influences in that regard would be trip hop and vaporwave.

Would you still consider yourself Nu-Pop? What are the parameters of this genre? Are there any other bands you would consider Nu-Pop, or Nu-Pop adjacent? 

Absolutely, we are a nu pop band.  It's the genre blending of nu metal but with a more melodic and pop-oriented approach, essentially just incorporating elements of hip-hop, electronic, R&B, Latin, and Caribbean music to the more traditional rock band format with loud guitars and live drums. 

If I had to name some nu pop adjacent bands I would say South Arcade, Cherie Amour, Medekine, Scro, Symposia, and Pink Pool.

At this point in your career, where do you see yourselves as fitting into the larger spectrum of DIY/Emo/Punk music? 

It's tough to say because even though we are pretty DIY (recording, production, mixing, graphic design, etc.) we're at a point where we can't really play house shows anymore.  For us to faithfully put on a show for all the people that want to see us we need a venue that can comfortably and safely accommodate a decent amount of people and a nice loud sound system.  That said, we try to keep the DIY ethos in mind and we do keep up with what's happening in that scene to some extent.  I think people have finally stopped classifying us as emo though.

Say some nice things about John and the rest of the Lonely Ghost crew. 

Lonely Ghost is a great label to be on for a DIY band because they do their best to let you just do your own thing and accommodate that into their release schedule.  They never said no to our ideas, and they really believe in the future of innovative and unique music.  Great people operating a pretty busy label purely for the love of the game.

Is ska due for a comeback?

If you mean in the mainstream then yeah, I'd like to see a modern pop take on ska.  If Olivia Rodrigo or Pinkpantheress dropped a ska-infused song I think that would be sick and probably wouldn't sound like any ska we've heard before.  I think reimagining the production choices while maintaining the core identity of the genre is the only chance it has to get a big break again.

What's the best thing someone has ever written about your band, and why did you like it so much? 

Angel Marcloid (aka Fire-Toolz aka Mindspring Memories) mastered our new record and she sent us an email telling us how much she liked the album and why and all the things she said really rang true with what we set out to do with this album.  We really enjoy and respect her work so it meant a lot to hear.

What is the ideal piece of coverage that a music publication (not saying Nu Metal Agenda, but not not saying them either) could do for your band that would help your career right now? Put another way, what is the value/role of music journalism from your perspective in this day and age?

Truth be told I don't know how many people are reading music publications nowadays.  I think it would have to be a pretty huge publication to move the needle in any meaningful way.  For us music interviews are just about getting a chance to express ourselves and our intentions in detail for the passionate fans that care enough to dig deep.

How is your current tour going? What dates/cities are you most excited about?

Our past couple tours have been incredible, more sold out shows than not which is a good sign.  Our last Brooklyn show and the festival Burn Bright (Editor's note: I was there!)were two particular highlights.

What are the best albums from the late '90s/early '00s ('97-'04), and what about them inspires you? 

You picked a great era so I'll keep it to 5 records.

Transistor by 311, it's 21 tracks of the band at their most experimental and the production was mind-blowing to me the first time I listened to it.

Celebrity by NSYNC, it has really strong pop hooks and incorporates UK garage, breakbeat, and hip-hop production.  There isn't even another song I can think of that sounds like "Do Your Thing" (the closing track) which is a pretty cool achievement for a boy band.

Sol-Fa by Asian Kung-Fu Generation, this is how pop punk should have evolved in the West but never did.  This is an example of what you can do when you're inspired by a genre but not tethered by nostalgia.  (Their 2008 album World World World is an even better example of this.)

Get Rich or Die Tryin' by 50 Cent, this was one of the first hip-hop records I fell in love with as a little kid.  Track for track it's so good.  I always love when a rapper has a great flow but also a sense of melody, like a lot of these songs don't have a featured singer on the chorus but they still have hooks you can sing along to.

Meteora by Linkin Park, I don't even need to get into this one.  A lot of people probably prefer Hybrid Theory but as someone who has probably listened to both records a thousand times this is the one that comes out on top, if only by a little.

What is an influence on your group that has never come up in an interview before, or that no one has been able to pinpoint in a review of your music?

The Hives, I've listened to their first four albums so many times.  I accidentally straight up stole a Hives lyric in "Nano." (Editor's note: Good artists borrow, great artists steal!) And our song "Motorola Razr" was originally a GarageBand file called "hives beat" because of the drums and percussion in the chorus.

When are you starting an official fan club, and what can people expect as far as exclusive merch and events from such an organization? 

We kinda tried to do that with a program called CheemQuest but we've been insanely busy and haven't been able to update it.  We'll probably go back to doing that but also maybe starting a more straightforward street team based out of our discord.

I've heard Cheem is a romantic sort of group and/or for lovers, describe to me your perfect date.

Picking up good food to eat at home and watching a really good show or playing a really good video game.  If you want a less introverted answer I would probably say a beach day but that's not really on the table for the vast majority of the year where we're from.

What recommendations do you have for fans who want to take a date to a Cheem show? 

DM us on Instagram and tell us to pretend to know you so you can impress your date.

What are your signature combos and/or finishing moves?

All of our combos involve complicated polyrhythms between buttons so no one has actually ever executed one before.  For our finishing move we combine into a Voltron/Megazord like entity and annihilate our foes with a beam sword called the Cheem sword.

What are your favorite game OSTs and how do they contribute to the Cheem repertoire? 

I think games like the first three Mario Bros, Wario Land 4, and Pokemon Colosseum subconsciously influenced my melodic and rhythmic sensibilities because I played them so much as a child.  A few highlights from soundtracks I got into later in life would be Katamari Damacy, Danganronpa, Earthbound, and the Ape Escape games.  Anytime I hear a cool production touch in a video game song I always think about how I can incorporate it into Cheem.  I think it also inspires me to utilize unconventional instruments outside of the actual makeup of the band, stuff like strings, woodwinds, extra percussion, etc.

What games are you playing now? 

The only game I'm really playing right now is Doubutsu no Mori e+ (Japanese exclusive Animal Crossing game) to help me work on learning Japanese.  I did just finish the Xenoblade Chronicles trilogy though.

If Cheem were an acronym, what would each letter stand for?

Cool Hard Extreme Exquisite Music

Photo by Abby Clare

Cheem you later space cowboy!